ÔCRASH ORIGINÕ

 

by Stanley Lieber


Copyright © Stanley Lieber, 2010

 

Collecting TEXT ADVENTURE #1-7
textadventure.stanleylieber.com

 

MASSIVE FICTIONS
massivefictions.com

 

This is a work of fiction. Names, characters, places and incidents either are the product of the author's imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events or locales is entirely coincidental.

All rights reserved.


 

CRASH ORIGIN

 

tags: 1987, piro, tab1, tab2

 

1

 

    Le Bourget, Paris, 1987.

    Mid-morning. Overcast. Thomas and Piotr are threading through a crowd of spectators.

    ÒSunscreen check,Ó announces Piotr.

    ÒBut the sunÕs not even out,Ó complains Thomas.

    Piotr shoots him a look. ÒSafety first. Next, comfort.Ó

    Thomas produces a small tube of sunscreen from his pocket and proceeds to apply it evenly across his nose and cheeks.

    ÒSatisfied?Ó he asks.

    ÒNever,Ó Piotr replies, ÒBut IÕm close to spectacular.Ó

    Thomas observes the slight distance between them, then bumps shoulders with his twin brother.

    ÒNot in the field,Ó Thomas says, his thoughts apparently moving towards evening.

    My son is never prepared for anything. This is intersubjectively testable. Try surprising him. YouÕll find him unprepared. Example: Send a number of military jets crashing into the ground. YouÕll find he can think of no response. Piotr is always pulling clean-up duty.

    This has been the steady pattern, played out over two decades.

    The boy has now turned thirty. The peak of his operational powers. Still, he does nothing. Sits there and trades one-liners with his partner. No return on investment. My reports frequently exaggerate his exploits.

    After all, this all comes out of my budget.

    Sunlight cracks the clouds as the first plane careens into the pavement. I steer a brightly painted Mig-29 into the crowd, accidentally clipping a building in the process. Debris pelts the bystanders below. Probably, eighty or ninety dead. Thomas and Piotr are a few hundred yards off, but they enjoy a clear line of sight to the carnage.

    ThomasÕ response?

    Bewilderment, at first. My son stands transfixed. He fingers his visor, instinctively, but evinces no other reaction. Not even a change in his facial expression.

    Piotr suffers no such paralysis. He shifts contexts with ease, drawing his side-arm and sweeping the corridor overhead. When no new danger presents itself, he looks towards Tommy.

    Priorities.

    I bring in the next two planes simultaneously. A pair of old RF-4Es. PiotrÕs side-arm is quite naturally useless against the two masses traveling at such a velocity. For his part, Thomas remains riveted to his spot. Even if his visor is malfunctioning, there is still the sound, the smoke from multiple impacts that has surely reached his nostrils. Why doesnÕt he react?

    Piotr grasps him by the back of the shirt and hurls him behind a high wall as flames envelop the vacant space beside them.

 

2

 

    This is not how I expected it to happen.

    At the same time, it very much conforms to my vision of the destruction. Even if the alarm is ringing six years late.

    The planes are falling.

    Piro is yanking on my shirt, weÕre diving behind a building. There are flames.

    That first plane was Soviet. Seems to be a multilateral engagement.

    The logical result of Glasnost?

    Of course, IÕm not harmed. IÕm invulnerable. Class 100 strength. Flight.

    PiotrÕs photographic reflexes arenÕt much use against disintegrating architecture, but he has a knack for getting out of the way of large objects.

    I punch my way through the wall and barrel face first through the smoke. Bodies are splayed everywhere. Horrific smells. Some dead children.

    I lift some older citizens away from the fires, then report back to Piotr.

    ÒSomethingÕs not right about this, boss.Ó

    PiotrÕs eyes are focused on some distant point. By the gentle arc of his stare I deduce he is tracking a moving object.

    ÒRIIIIIIIIIGHT FACE!Ó he cries. Instinctively, I spin ninety degrees to my right, just in time for Piotr to give me a hard shove.

    HeÕs shot me in the back.

    I go down.

 

3

 

    HeÕs impossible.

    At least heÕs toppled over. That one almost got us.

    I give him a hand and then dust off his back. I guess IÕve ruined his shirt.

    He seems to think itÕs funny, so weÕre good.

    A lot of activity in the sky, now. Some planes are starting to land instead of just crashing into the ground. Notably, a Blackbird and what appears to be an F-117A. Strange that the latter should be out and about during the day. And at a foreign air show, no less. Officially, the plane doesnÕt even exist.

    A number of jeeps escort the two planes off the runway. A hangar is opened up and the parade disappears behind closed doors.

    I motion to Thomas and he confirms.

    We need to investigate.

 

4

 

    What the hell are they doing?

    Thomas and Piotr are inside the hanger. I lost them for a moment but then I caught site of my sonÕs ridiculous spiked hair.

    I move a few sentries into an adjacent corridor.

    Then the boys turn left.

    Suddenly, I flash on an idea.

    The boys still havenÕt made their way out of the administrative offices. There is time to move the planes out the other side of the hangar. When they finally break through, the hangar will be empty. ItÕs simple sleight of hand.

    Obviously, nothing could ever be that easy.

    Piotr picks up on the sounds of activity and theyÕre faster breaching the main corridor than I had anticipated.

    I make an executive decision to light up the whole building. The Air Force will have to take the loss. These men knew what they were signing up for.

    I console myself that this will look great on television. Especially with the Soviet plane coming down first.

    All in all, not a total loss.

 

5

 

    When the explosions kick in I know for sure that my father is involved.

    I hoist Piotr by his backpack and punch a hole through the roof. WeÕre well above the fray by the time the building collapses. Piotr takes potshots at the scrambling jeeps.

    The sky seems alive with fighter jets, all converging on our position.

    I fly faster.

 

6

 

    IÕm shouting curses in ThomasÕ ear but at this speed he canÕt hear me. I know he can survive in a vacuum but I hope he remembers IÕve no protection against the cold. In the hopes of surviving our escape, I snatch the respirator from my backpack and stick it on my nose. The sky is growing dark.

 

7

 

    My son is an idiot.


IMPRESSIVELY ARTICULATE

 

tags: 1989, 1990, christopher, eva_bright, john_ratcliff, ken_thompson, piro, tab1, tab2

 

1

 

    The Chrysler Building. New York. 1989.

    New YearÕs Eve.

    ÒIÕd like to propose a thought experiment for anti-Evolution Creationists: Suppose God created the 4-D space/time football six thousand years ago.Ó

    ÒComplete with billions of years of real history?Ó

    ÒExactly.Ó

    ÒAre you suggesting this would bypass their objections to evolutionary theory?Ó

    ÒIÕm suggesting it would confuse them.Ó

 

2

 

    ÒHere you are, doing the DevilÕs work.Ó

    Super-Sonic. John Ratcliff. White Male wearing tattered jeans and a gray sweater. Acclaimed poet. Enforcer.

    ÒThe Devil can cite Scripture for his own purpose. IÕm merely speculating on possible angles of attack.Ó

    The Raven. Christopher. No last name on record. African-American vigilante. Black T-shirt with slogan in white News Gothic: ÔImpressively Articulate.Õ

    ÒIÕd really like to hear what my father would have to say about all this.Ó

    Sonic Boom. Ken Thompson. Not that Ken Thompson.  Asian-American speedster. Green polo shirt. Jeans.

    ÒYouÕre drowning in rhetoric,Ó John observed. ÒArgumentation is not the best weapon against these types.Ó

    ÒStipulated,Ó allowed Christopher.

    ÒYou guys are too cynical.Ó

    In unison: ÒShut up, Ken.Ó

3

 

    ÒBrothers, please. Decorum.Ó

    Actron. Thomas Bright. White male. Ostensible leader of the Actron Team. Blue cotton button down shirt with black silk tie. Thomas brushed aside the disturbance and poured himself a glass of water from the fridge. Ken popped up the collar of his polo shirt and leaned back into his seat.

    ÒI donÕt mind, really. My ideas are still forming.Ó

    ÒShut up, Ken,Ó said Thomas.

    ÒEnough of this dick party. We need a womanÕs opinion. WhereÕs Eva?Ó

    Christopher pushed his chair away from the table and stood up. He made eye contact with John before vacating the room.

    ÒNevermore,Ó he rasped, sarcastically, and left.

 

4

 

    ÒWhatÕs his problem?Ó asked Ken.

    ÒTheyÕre not getting along,Ó said Thomas, stating the obvious.

    ÒSeriously though,Ó continued John, ÒWhere is she? We were discussing this just last week. I know she has something to contribute, but I donÕt want to speak for her. I want to hear her explain it herself.Ó

    Thomas gestured with his glass, spilling a small amount of water onto the kitchen floor. ÒI think sheÕs on the phone with Los Angeles.Ó

 

5

 

    ÒYeah, letÕs not tell him I called,Ó Piro wheezed into his mouthpiece, still catching his breath. ÒI donÕt think we need to bother him with every detail of the operation.Ó

    ÒFine with me. You take care of yourself out there. From what I understand, L.A. is starting toÉÓ

    ÒYeah, L.A. is

    Eva clicked her phone shut and crushed her cigarette in the retractable ashtray. She wondered when it would be possible to move her corporation away from the cocaine trade. Recent developments in domestic politics were making it difficult to keep her agentsÕ names out of the news. She sighed, then drew the blinds in her office and made her way to the kitchen.

 

6

 

    ÒWhy did economists not do a better job of anticipating the crisis?Ó

    ÒTom, itÕs just not that simple.Ó

    ÒYou always say that.Ó

    ÒThe causal mechanism behind growth and decline is not fully understood. All known models are essentially useless.Ó

    ÒYou always say that, too.Ó

    ÒI donÕt know what else to tell you.Ó

    ÒWell, tell me something. Tell me anything. I need answers.Ó

    John rolled his eyes.

 

7

 

    ÒWhat are you guys talking about?Ó

    Eva sat down at the kitchen table and dealt a hand of cards.

    ÒThis and that,Ó said Thomas, picking up his cards and inspecting his hand.

    ÒChristopher was going on about Creationists. Then he got mad and left.Ó

    ÒShut up, Ken,Ó said Eva.

    Ken fumed silently. John remained silent for an appropriate interval and then picked up the dangling thread.

    ÒOur Chris has an antagonistic bent. I suggested we should hear your side of the story. That was too much for him to bear.Ó

    ÒItÕs not like I would have defended the Creationists,Ó said Eva. ÒBut I would have been fair.Ó

    ÒExactly,Ó smiled John.

    ÒWhatever. Christopher is really focused on this issue. IÕm sure it will come up again.Ó

    ÒItÕs inevitable,Ó sighed John.

    ÒBy design,Ó added Ken, and this time no one bothered to correct him.

 

8

 

    ThomasÕ luck was infuriating to his teammates. He won every hand but didnÕt even understand the game.

    ÒIÕll just take this one out of your paychecks,Ó he said.

    ÒYour poker record is truly remarkable,Ó started John,  ÒConsidering we have to remind you of the rules every time we play.Ó

    ÒWhatÕs to remark? The fruits of a superior motivation.Ó

    ÒAlso known as the Will to Power. Tell us, just what lengths are you willing to go to in order to achieve your goals?Ó

    ÒNot funny. Just a fact. Besides, IÕve moved on from Nietzsche.Ó

    ÒThere are no facts. And no one moves on from Nietzsche. WeÕve caught you before. I suspect youÕve found a new way to cheat.Ó

    ÒAll right, I feel stupid,Ó admitted Thomas. ÒI donÕt know what to say.Ó

    John relaxed his posture, enjoying the easy victory. ÒIÕll give you a few seconds to come up with a story.Ó

    ÒFuck,Ó said Thomas.

    ÒAll right boys,Ó interrupted Eva, scooping up her playing cards and returning them to the deck. ÒLetÕs keep it PG-13.Ó

    ÒMom, heÕs cheating!Ó cried John. ÒPunish him!Ó

    ÒNo, IÕm serious. YouÕre all fired,Ó Thomas said, and left the room. No one was sure if he was serious.

    ÒAnd that settles that,Ó said Ken.

    EvaÕs phone rang as the clock turned over into 1990.

    She switched off the ringer.


YOUÔVE POSTED THIS BEFORE

 

tags: 1990, john_ratcliff, ken_thompson, piro, tab2

 

1

 

    The Chrysler Building. New York. 1990.

    January.

    ÒYouÕve posted this before.Ó

    ÒNo shit.Ó

    ÒSo why are you posting it again?Ó

    Piro arched an eyebrow. ÒItÕs tradition.Ó

    ÒSeriously?Ó

    Piro sat at the keyboard clacking away. Simple, declarative sentences. Topical assertions.

    ÒNobody cares about this stupid newsletter,Ó offered Thomas.

    Piro remained silent. Typing.

    ÒNobodyÕs even going to read it.Ó

    Silence.

    ÒYour spelling sucks.Ó

    Piro flicked on the radio and turned up the volume.

    Thomas grimaced. ÒI hate reading.Ó

    Piro leaned over the mimeograph machine, making small adjustments to various knobs and switches while Thomas fidgeted in the doorway.

    ÒThereÕs literally no way IÕm going to help you fold all of those things.Ó

    ÒI donÕt care.Ó

    ÒThis whole side-project is stupid. You really think the value-added is necessary? This stuff sells itself. No Ôfree gift with purchaseÕ required.Ó

    Piro stopped what he was doing and turned to face his twin brother.

    ÒIf youÕre not going to contribute to the newsletter, please go into the kitchen and start bagging up rocks.Ó

    Thomas shrugged and wandered out of the room.

 

2

 

    Ken steered the Actron TeamÕs 1978 Lincoln Town Car through the streets of Alphabet City. Trash on the sidewalk reflected in the carÕs fresh candy paint. Passing some children, Ken boosted the volume on the custom sound system. The children giggled and pointed. He smiled and mashed the gas pedal. Shining.

    Destination: The G-Spot.

    Ken rounded the final corner and slowly brought the outsized car to a stop. He lowered a tinted window and inspected his immediate surroundings. The parking lot was deserted save for two NYPD cruisers and a 1979 Chevrolet Monte Carlo (sky blue metal flake, white interior, whitewall tires; that would be John). Ken popped the collar on his polo shirt and exited the vehicle.

    Inside, the club was all but vacant. Smoke from an abandoned cigarette snaked upward towards a light bulb hanging from the ceiling. The two police officers were inspecting a briefcase full of cocaine. One of them turned around and smiled dumbly, coke caked in his mustache. John Ratcliff stood nearby, a duffel bag full of money slung over his shoulder. When he saw his partner he frowned and shrugged.

    Ken stood in the entryway and surveyed the empty stage. Strobe lights clicked rhythmically, strangely loud in the otherwise silent environs.

    ÒWhere the white women at?Ó he finally asked.

    The cop with the coke mustache started to giggle, but never finished his outburst. Ken activated his super-speed and closed the distance between himself and the two officers in a hundred milliseconds flat. He slammed the meat of his open hand into the first officerÕs chin, then rolled with the momentum into the second officerÕs chest, following him to the ground. Both cops collapsed, unconscious, Ken straightened himself and dusted off his knees.

    ÒHmph,Ó he he remarked, unimpressed.

    John hoisted both men from the floor and hung them by their jacket collars on coat hooks near the front entrance. Each would see hospital time but neither would suffer permanent injury. John tossed the bag full of money at Ken and made his way over to the bar to pour himself a drink.

    ÒTired of this grind.Ó

    ÒSo quit.Ó

    ÒYouÕre funny.Ó

    Ken sighed.

    ÒYeah.Ó

 

3

 

    Outside, some children had wandered into the parking lot and were peering inside JonÕs Monte Carlo, noses pressed up against the glass.

    ÒBoy, is that white leather?Ó

    ÒSure is.Ó

    ÒMy brotherÕs car is like this, but his doesnÕt have leather.Ó

    ÒSounds like your brother needs to find himself a better paying job.Ó

    Ken flopped the briefcase full of coke onto the hood of the car.

    ÒTake this to your brother. If he brings it back in a week, filled with moneyÉÓ

    ÒWe have great health insurance,Ó interrupted John. ÒDental and vision. Also, free car detailing. WeÕll see what we can do about his vinyl seats.Ó

    ÓWow, mister! Thanks!Ó

    John patted the boy on the head and then got into the Monte Carlo and peeled out. Ken smoked a cigarette, wandered back to the Lincoln and rolled over a beer bottle on his way out of the parking lot. There was no damage to the Town CarÕs bullet-proof tires.

    As soon as the adults were gone the boys pounced on the briefcase, numerous hands scooping out coke and heaving it carelessly over their shoulders. As it happened, directly into the wind. Some of the powder blew back and caught in their teeth and hair. Undeterred by this minor annoyance, the boys wiped the backs of their hands across their faces and soon discovered the rows of individually wrapped crack rocks that lined the bottom of the briefcase. Immediately, they went to work removing the wrappers.

    Tossing the pebbles of crack aside, each paper wrapper was inspected closely, compared carefully with the others. Soon it became apparent that all of the wrappers were identical. Worse, the material was immediately recognizable. Not just predictable, but in fact an exact duplicate of an issue they had all read before.

    ÒItÕs a fucking reprint,Ó said one of the boys.

He flipped over the wrapper, frantically scanning for the publisher information. There, printed in bold Helvetica, was the name of their nemesis:

    Massive Fictions. Piotr Bright, Publisher.

    The Chrysler Building.

    NYC.

    One of the boys produced a brick phone from his backpack and put in a call to headquarters.

    Calling in for backup.


YOU ARE NOT A GADGET, HE CLAIMED, VIA CELLPHONE

 

tags: 1990, eva_bright, freeway_ricky_ross, jaron_lanier, ken_thompson, piro, tab1, tab2

 

1

 

    Dreamed I was a tomcat.

    Trundling along the side of the road, fur matted with dirty snow. Searching for illegal narcotics.

    My women were nowhere to be found.

    Which was fine.

    I happened to be armed. As I ambled along, a car sped by and splashed sludge in my face. I fired three rounds into its rear-right tire and the driver went over an embankment. An excruciating crashing noise followed. It rang in my ears.

    I approached the vehicle and emptied the rest of my weapon into the driverÕs chest.

    I found part of a hollowed out cantaloupe and slipped it over my head.

    Cute.

    No one would prosecute a Persian cat.

 

2

 

    ÒOh, great.Ó

    ÒWhat?Ó

    ÒI accidentally saved an image of Spider-Man in my porn folder.Ó

    ÒSo? Move it. Or delete it.Ó

    ÒBut I clicked ÔSaveÕ without seeing the name of the file.Ó

    ÒSo?Ó

    ÒSo, how am I supposed to find it? This folder is 5TB. I donÕt want that Spider-Man image to someday be found amongst my archival porn.Ó

    ÒSo, go back and start to save it again and see what the suggested filename is. You probably just hit ÔEnterÕ when you saved it.Ó

    ÒThatÉ is a very good idea.Ó

    ÒI think I once helped your dad with a similar problem.Ó

 

3

 

    Jaron Lanier scooped up a handful of the white powder and inspected it closely.

    ÒThis appears to be cocaine.Ó

    ÒNo shit, Lanier,Ó said Piro.

    Lanier peered into his hand, face wrinkled in concentration.

    Piro turned to Thomas. ÒHeÕs always like this.Ó

    ÒHe doesnÕt get high out of our supply, does he?Ó

    Piro stopped Thomas before he went any further with that line of thought.

    ÒNo. At least, not that IÕm aware.Ó

 

4

 

    It turned out that my son had the drugs.

    Nepeta cataria. Fifty grams. IÕm certain his intent was to sell.

    I left ten grams with an I.O.U.

    The rest I put in my nose. I then put on dark sunglasses to mask my dilated pupils, the visible redness in my eyes.

    A car drove by and its pilot tossed an empty beer can at my head. It bounced off the cantaloupe and skittered into the grass by the side of the road.

    I peered at the exhaust trail over the top of my sunglasses.

    Then I pulled out my gun.

 

5

 

    It was Ken on the phone.

    ÒLanier, I need some help with these verb tenses.Ó

    ÒNot now, Ken, weÕreÉ weighingÉ the drugs.Ó

    Piro snatched the phone away from him and barked into the mouthpiece.

    ÒKen! Not on this phone!Ó

    He jammed his thumb on the ÔEndÕ button and then turned back to Lanier.

    ÒAre you damaged? He can study on his own time!Ó

    ÒSorry, sorry,Ó said Lanier, taking a kilo off of the scales.

    Piro extracted the SIM card from the phone and crushed it in his hand.

    ÒCard,Ó he said.

    Ricky tossed him a replacement and Piro snapped it into place, booted up the phone. He dialed New York.

    ÒEva, patch me through to Nicaragua.Ó

    Some moments passed and then Piro began shouting into the mouthpiece in gutter Spanish. He rung off and handed the phone back to Lanier.

    ÒDonÕt lose that.Ó

    Thomas finished with his baggies and then dusted off his hands.

    ÒKenÕs obsession with Japanese culture is becoming a problem. He canÕt keep his mind on his work. Someone needs to ship him back to Japan.Ó

    Piro rolled his eyes. Not for the first time that day.

    ÒHis parents donÕt want him back. At least not until he learns to speak Japanese.Ó

    ÒHuh. That seems unlikely to happen. CouldnÕt we just do fansubs for them?Ó

    The men all shared a laugh and then got back to work.

 

6

 

    Ken unpaused and then re-paused the DVD.

    He was at an impasse. The episode of DOUBLE CATS was only a quarter of the way through, but he was having trouble understanding the dialogue. Finally, he had given up and called Lanier for help.

    He was supposed to be translating these episodes for the torrent site.

    How could he admit that as a native Japanese, he couldnÕt even speak his own language?

    His mind raced. Activating his super-speed, he cleaned up his apartment and did the dishes in just under four seconds, moving so fast he knocked over a bookshelf and had to re-shelve the books. This added another two seconds to the tally. He started a pot of spaghetti noodles boiling and took some wine out of the refrigerator. Another half-second.

    The impending public humiliation would surely kill him.

    Unexpectedly, the phone rang.

    ÒKen.Ó

    It was Lanier.

    ÒI canÕt stay on here long, but let hear some of the phrases and IÕll give you some quick translations.Ó

    ÒAll right, the cat is wearing a cantaloupe on its head, it just pulled out a gun and shot out the tires of a car. The car went into a ditch and crashed. Now the cat is smoking a cigarette and putting on a pair of sunglasses. The cat says:  Baka

    Lanier paused before answering.

    ÒWhatÉ What exactly are we translating here?Ó

    ÒItÕs an anime. IÕm supposed to be doing fansubs. I committed to the first six episodes by tonight.Ó

    ÒThatÕs a lot of work, Ken. YouÕre not a gadget, you know.Ó

    ÒYeah, but geeze, shouldnÕt I at least be able to handle this? I didnÕt even start learning English until I was six years old. How could I have completely forgotten my own language?Ó

    ÒUh, IÕve gotta go.Ó

    Lanier hung up.

 

7

 

    ÒWhat are you doing? Give me the phone.Ó

    Piro took the cellphone and stuffed it in his jacket pocket. He pushed Lanier out of the way and then locked the door to the kitchen.

    ÒThomas. Set the timers. We need a good twenty minutes to get out of the neighborhood.Ó

    Thomas set all the detonators and the team evacuated the little house.

    ÒMaybe I should call dad,Ó he said, once he had finished loading up his gear.

    ÒWhy?Ó

    ÒHe might have some good ideas about how toÉÓ Now it was ThomasÕ turn to roll his eyes. ÒOh, never mind

    The men climbed into their white van and pulled away from the safe house. As the vehicle accelerated into traffic, Lanier began to scribble in his notebook.

    Piro gestured towards him, frowning.

    ÒI donÕt want this guy coming along with us next time.Ó

    ÒWhat did I do,Ó Lanier protested.

    ÒShut up,Ó the rest of the men said in unison.

    ÒThis is a business,Ó Piro began. ÒThereÕs not time for dicking around with language studies and sketching portraits.Ó

    Thomas pretended to ignore the scene from behind his visor. He brought up some sports scores and wondered at the meticulous pointlessness of the statistics industry.

    ÒHuh. It looks like the Bears have taken the Super Bowl.Ó

    The van hit a bump and for a split second ThomasÕ visor slid up and exposed his face.

    ÒOh God, whatÕs wrong with his eyes?Ó asked Lanier.

    Thomas stuck out his tongue and went back to scanning the news.


SENSE OF DEBT

 

tags: 1954, 1990, coco_schwab, david_bowie, piro, tab2

 

1

 

    November, 1954.

    Bowie picked up the envelope and ran his finger along its edge, holding it in his hand for a moment of silent admiration before tearing it open with his fingernail and devouring its contents.

    But inside was an actual piece of correspondence.

    He slammed the door to his dressing room and sulked in his chair. This was unconscionable.

    The note was from his mother.

 

Dear Son,

 

    it read.

 

I have received another notice from your creditors. This cannot go on. I am going to give them your address. If you do not write to them, IÕm going to suggest that they call the police. There is nothing more I can do for you. I will not pay off another one of your debts. If that means that you go to jail, then so be it.

Love,

Mom

 

    Bowie crumpled the note and tossed it on his makeup table. He opened a bottle of water and poured it on the carpet, tracing an occult symbol that was only present in his mind.

    The bitch! I have overhead!

    A quiet knock came at the door. Then another, somewhat louder.

    He straightened, all trace of disquiet drained from his face.

    Time to take the stage.

 

2

 

    Piro and Thomas hopped into the RAGNAROK and strapped on their seatbelts. The engine warbled softly as  Thomas adjusted his data gloves.

    ÒWhatÕs the difference between a raven and a writing desk?Ó asked Thomas, gesturing through a cloud of invisible information.

    ÒBy weight?Ó asked the other.

    ÒSure.Ó

    ÒIÕd say bout fifty kilos.Ó

    ÒSounds about right,Ó agreed Thomas, scribbling in his palm. ÒAnyway, we ought to go further back and try to sell some of this stuff to all those 19th century artsy types who were hooked on heroine. Can you imagine?Ó

    ÒNo, I canÕt,Ó said Piro.

    ÒAw, come on.Ó

    Ignoring his twin brother, Piro accelerated smoothly into the clouds above New York City.

    Lately, Thomas was spending far too much of his free time reading childrenÕs literature.

 

3

 

    Bowie stomped through the concert, affecting strange poses. Back in his dressing room, he unwadded the note from his mother and then wadded it back up again, lit it on fire with his cigarette lighter. Coco rushed over and doused the flames with a tumbler of scotch.

    Which didnÕt help at all.

    Bowie stripped off his Puerto Rican jacket and patted out the fire. He was careful of his shoes.

    ÒThat was incredibly stupid,Ó he said, icily. ÒNow IÕve ruined my shoulder pads. What were you thinking about?Ó

    ÒReflex,Ó was all she could offer in reply.

    Changing tacks, Bowie started digging around in her purse.

    ÒYouÕve got so much crap in here. WhereÕs the coke?Ó

    ÒWeÕre out.Ó

    ÒWhat,Ó he growled, turning back towards her, baring his teeth. The cigarette fell out of his mouth and landed on the carpet. Coco ran over and crushed it with her heel.

    She was out of scotch.

    Bowie also noticed that she had retrieved a baggy from a hidden compartment in her brassiere.

    ÒOnly kidding,Ó she said, waving it towards his face.

    Bowie snatched the baggy and sat back down in his chair. Engrossed.

    ÒWe canÕt have any more of these close calls,Ó he sighed, and dove in.

 

4

 

    Piro piloted the RAGNAROK towards 1954.

    Thomas was dozing. Noticing this, Piro took the opportunity to put on some soft music.

    Suddenly, Thomas started awake. He shot forward and Piro heard a loud thump. He looked over and Thomas had hit his forehead on the dashboard.

    ÒWHAT! IS! THIS! CRAP!Ó he shouted. Piro couldnÕt be certain whether he was reacting to the noise or to the pain.

    ÒBowie. ÔGolden Years.ÕÓ

    ÒYouÕre one of those people who listens to every album by an artist while youÕre driving to see them in concert, arenÕt you.Ó

    Piro remained silent. Piloting.

    ÒPlus, your chronology is off. In 1954, he hasnÕt even written this song yet.Ó

    Piro reached for the dash and ejected the cassette.

    ÒFine. See? IÕm putting it away.Ó

 

5

 

    Coco had come up with a new supplier. She was on the phone with them now. Bowie stared nervously at her hands as she wound the phone cord around her finger. A knock came at the door while she was still talking. Now she was chewing on her pencil. She didnÕt seem to hear.

    Bowie glanced at the door, and then back at Coco.

    Oblivious, she kept on talking.

    Bowie coughed, quietly. His eyes were pleading with her to hear, to do something. Of course, he couldnÕt say anything. It was not his place to answer the door. Sweat running down his neck, he kicked over a chair. Then tried to look composed.

    The knock came again.

    This time, Coco noticed the disturbance. She picked up the phone and started towards the door.

    Bowie fell back in his chair. A wave of relief swept over his sunken features.

    He lit a cigarette.

 

6

 

    Piro pulled out his flip-phone and dialed the new customers.

    ÒIÕll just make sure theyÕre ready for us,Ó he whispered.

    Piro talked for ten minutes. It seemed like an endless amount of chitchat. Thomas had no patience for customer relations, but Piro seemed to relish any opportunity to interact with a client.

    And this woman.

    Was Thomas actually jealous?

    He booted up his gun.

    Now Piro was knocking on the door. Why? Just tell her weÕre here.

    Hm. No answer from the marks.

 

7

 

    Just as Coco turned the door handle, both of the doors blew violently inward, completely off of their hinges. Coco was thrown to the ground. Fortunately for her, the Bakelite telephone took the worst of it.

    Bowie stared in paralyzed horror at the shattered pieces of plastic on the floor. He was transfixed. There was something familiar here. Something about the pattern of debrisÉ Abruptly, he snapped out of it. This was how it always was with him, he observed. One second in dreamland and the next fully focused.

    ÒCoco. Take dictation.Ó

    ÒRrrrmÉÓ she moaned.

    ÒGet up,Ó he insisted.

    Piro and Thomas entered, weapons drawn, targeting both adult humans with practiced efficiency.

    Bowie ignored them.

    ÒWhen the phone broke, I looked down at the carpet. The cracked plastic formed a picture. I saw the letters: s, h, n, z, n.Ó

    Coco maintained her expression. It would take more than an explosion and a broken telephone to rattle her.

    ÒItÕs Shenzhen, China.Ó

    ÒWhat?Ó asked Thomas.

    I see, Coco said with her eyes. ÒReal estate or commodities?Ó

    ÒReal estate. Get Tony on the phone. WeÕll grab as much as we can, now, while itÕs still available. Sort it out later. IÕve got a good feeling about this one.Ó

    ÒHow much do we spend?Ó

    Bowie was rolling up the sleeves of his shirt, loosening his necktie. He snorted conspicuously and answered quickly.

    ÒAll of it.Ó

 

8

 

    ÒI donÕt know, Mr. Bowie, it seems rather unorthodox to sign your motherÕs name to a cocaine bill.Ó

    ÒSheÕs my business partner. And weÕre going to need plenty of marching powder for the new venture.Ó

    Coco arranged the paperwork on the table as Bowie signed his motherÕs name at the bottom of each page. She reached over and smoothed down his eyebrow as he worked.

    Thomas was smiling.

    Piro decided it didnÕt matter. ÒI guess it will have to do.Ó

    Bowie suddenly looked concerned. ÒAre you sure you wonÕt have any problems filling the standing order?Ó

    Thomas motioned with his thumb.

    ÒYou wouldnÕt believe how much of this stuff we have back in the ship.Ó

    At this, Piro decided to interject.

    ÒSo long as you can come up with the money, there is literally an unlimited supply.Ó

    Bowie looked please with himself. His yellow teeth shined a skeleton grin.

    ÒFriends. I think this is going to work out just fine.Ó


BIG PANTIES

 

tags: 1991, christopher, eva_bright, ken_thompson, maude_mold, piro, plinth_mold, tab2

 

1

 

    May, 1991.

    These memories simulate a very dark period in my life.

 

2

 

    I had dumped an awful lot of money into Next Computer.

    For obvious reasons, this troubled the King.

    ÒMaryland Procurement Office,Ó I would remind. ÒWeÕre just shoring up inventory.Ó

    ÒItÕs easier to buy a judge than to ask for permission,Ó the King would retort.

    Whatever that was supposed to mean.

    ÒPerot is our man. Remember who works for whom.Ó

    But the King did in fact hold the purse strings. At least in this decade. I looked forward to a time when the man could be properly disposed of. Driven from the enterprise.

    At this rate, he would snort his way through our operating capital in a matter of weeks.

 

3

 

    I grew weary of kings. After a short period of deliberation I disabled comms with 4086. It was an obvious measure too long delayed.

 

4

 

    Christopher threw down his leaf in disgust.

    ÒThis book is crap,Ó he said.

    Ken checked the flashing index. BLACK GANGSTER, by Donald Goines.

    ÒSo, whatÕs so bad about it?Ó he asked.

    ÒNothing. If youÕve never committed a crime in your life, and you donÕt know the difference between gorilla pimping and—Ó

    ÒI donÕt know, I read it when I was a teenager. It seemed realistic enough to me.Ó

    Christopher rolled his eyes until it hurt and snapped a new clip into his pistol. He decided to change the subject.

    ÒYou got the crack?Ó

    ÒI donÕt know, Chris, IÕm not so sure I can trust your judgment anymore. IÕm starting to wonder if your political views are having an influence on your—Ó

    Christopher pulled down his ski-mask and turned off his phone. He walked over and poked Ken directly in the chest.

    ÒI donÕt give a fuck who you think you can trust. Stop whining and get in the van.Ó

    The two men took their places in the vehicle.

    ÒIÕm in like Flynn,Ó said Ken.

    Christopher punched Ken in the neck.

    ÒPut on your seat belt.Ó

 

5

 

    My organization ran with a minimum of friction.

    Piro handled operations. Eva ran comms. ThomasÉ mostly stocked shelves.

    I took notes.

    In this way, the years advanced, unrolling like paper tape from under one of my old shirts.

    I liked to stay hands-off. There could be no benefit to my constantly butting heads with the lower-level management. Besides, Piro was reasonably competent.

    We didnÕt fraternize, on the whole.

    My wife was a different story. She simply couldnÕt follow the program. I discovered her trail more than once.

    Unacceptable sloppiness. This was a business.

    In November, 1991, with some regret, I disabled her power source.

 

6

 

    ÒInstead of improvements, we got features.Ó

    ÒThese panties are huge.Ó

    ÒJust put them on.Ó

    Christopher pulled into the driveway and withdrew his key from the ignition. He looked over at Ken and wondered how the man had ever passed a cursory background check.

    Christopher adjusted his costume panties.

    Without warning, the windshield exploded inward.

    Plinth MoldÕs hand extended well beyond its normal range, traversing the length of the vanÕs hood and grasping ChristopherÕs flack jacket. His other hand slithered into the cabin and found purchase around KenÕs throat.

    Plinth yanked both men from the vehicle, trailing bits of shatterproof glass. He deposited them both onto the sidewalk.

 

7

 

    ÒBoss! What are you doing here?Ó

    Plinth tapped KenÕs face to the ground. The smaller man writhed mindlessly, firearm forgotten, oversized panties gathered around his ankles.

    Plinth examined the situation. It was a stuck process. Too late for circumcision, but too soon for canonization.

    And yet, he couldnÕt fire these men. Not exactly.

    ÒWhy are you both wearing giant panties?Ó

    The two characters represented a significant investment of system resources. Several proven quantities from the writing pool had been used up, filling in their histories. It was likely that, once terminated, the processes would not even relinquish the memory that had already been consumed.

    ÒItÕs our body armor, boss.Ó

    It was not the answer Plinth had wanted to hear.

    Never mind. He resolved to make yet more adjustments to the running system.

    He dialed the Chrysler Building and patched himself through to Piro.

 

8

 

    The incompetenceÉ

    It wouldnÕt have been fair to blame them, but still I couldnÕt look at their faces. Could I see myself in this?

    Never mind. I resolved to make yet more adjustments to the running system. Not premature optimization, but triage. The machine hadnÕt yet crashed, but experience had taught me to expect more trouble.

    Perhaps humorously, I still thought it possible to prevent a catastrophe.

    I dialed the Chrysler Building and patched myself through to Piro.

 

9

 

    PlinthÕs wallet had deactivated itself due to suspicious activity. The King had emptied the last of the corporate accounts. As a result, it took more than two years to hup the errant processes. With his other resources tied up in acquisitions, Plinth simply couldnÕt afford the man hours needed to affect the required changes.

    In the end, as he suspected, the corrupted system memory was not freed when the processes restarted.

    Programs continued to hang. The big panties should have been a clear warning sign, but this was a realization that came little, too late.

    Eventually, the entire system bogged down.

    Plinth couldnÕt log out.

 

10

 

    Fuck it, IÕll reboot.

 

11

 

    Years ago, the plane jerked.


FINAL REPORT OF TEAM 34

 

tags: 1991, 1994, federal_grants, nana_mold, paris_mold, piro, plinth_mold, shit_mold, tab2, violet

 

1

 

    August, 1994.

    Team 34, initial report.

    As dictated by Captain Paris Mold.

    Tear down. Clean up. Soft seductions.

    WeÕre always called in on the quiet jobs. The ones with a lot of work to be done, preferably without a lot of noise.

    I have to admit, the world is a pretty big mess.

    My team is competent. We pack light, so we can cover a lot of ground in a short period of time.

    Reputation. Dependability.

    We donÕt deal in names, but weÕre well known to the people that matter.

    We do okay.

 

2

 

    I task three assets to the South Pacific. One to the Chrysler Building. I donÕt trust anyone but myself with Plinth.

    Violet continues to elude us.

    WeÕve laid down some perimeter product placement, biding our time.

    Nothing is coming up. ItÕs difficult to predict emerging demographics, the interactions of different products. And Violet is a professional. Humans melt in her hands.

    I decide to call my mother.

 

 

 

3

 

    ÒBarfight! Dipstick! Bricoloage! Go! Go! Go!Ó

    Mother screams at my men through her mouthpiece. They arenÕt used to hearing her shouting on the wire.

    ÒNana! Where the hell have you been? WeÕre on overtime!Ó

    A firefight is underway. Clearing old signage means engaging PlinthÕs aerosol defenses. WeÕre prepared, but understaffed.

    ÒKeep formation, boys! IÕm losing your signal!Ó

    At least Plinth is alone in this fight. We were careful to remove old man Jerrymander from the board, decades prior to the meltdown.

    For her part, Mother keeps a tight handle on the Mold family backups.

 

4

 

    February, 1991.

    Federal Grants straightens his paperwork and peers deeply into Plinth MoldÕs single working eye.

    There is a subtle click and MoldÕs head inclines towards Grants. The gesture is all but imperceptible.

    ÒWhy donÕt you tell me about your childhood.Ó

    Dust plays in the sunlight streaming in through the library window.

    ÒHave you ever read a book called The Indian In The Cupboard?Ó asks Plinth. ÒA childrenÕs piece. Published around 1960.Ó

    Fed stifles a guffaw. ÒPlease. I donÕt read kiddie trash. IÕve never even heard of it.Ó

    ÒMy brother Pennis and I—we—published that book.Ó

    Immediately, Grants realizes his tactical error. ÒI—IÕm sorry.Ó

    ÒIt was a thinly veiled retelling of the origin of our family.Ó

    This is no good. Grants panics, leaps from his seat. ÒSir, I—Ó

    ÒI think weÕre finished here.Ó

    Plinth rises, exits.

 

5

 

    PLINTHÔS LOG

    524780 SECONDS FROM THE EPOCH

 

    With the last hard boot less than a year in the past, the world is already growing crowded. Mostly with clean-up crews. I assume my brother Paris is amongst the rabble.

    There are many starting conditions to seed.

    Mother called, earlier today. Clean-up proceeds apace. Paris is amongst the rabble, but Violet remains hidden. IÕve asked her not to reveal my whereabouts, either, for the time being.

    IÕve also reinstated the Crown. And the Crown has renewed my funding.

    IÕm thinking about re-spawning Thomas and Piro. They might amuse me in this new world.

    And, thatÕs about it. For this month. More after the new year.

 

6

 

    January, 1995.

    Team 34, final report.

    As dictated by Captain Paris Mold.

    Product placement has been completed. Rulesets have been configured. Once customers start populating the layouts, later this year, we should start to see good numbers. I think we can handle the traffic.

    WeÕve decided to go with a variation on the initial predilections from the last iteration. Non-standard prejudices.     These first new customers will find themselves inexplicably drawn towards the Asiatic races and the flickering of camp fires. There is some debate over whether or not a fascination with fire will hamper their survival rate. Will they fuck themselves to death before they even get a chance to starve? Will the flames and their genitals mix favorably?

    Ha, thatÕs the test, isnÕt it?

    Still no sign of Violet.

    Or my brothers.

    Mother has gone quiet.

    Ping.

 

 

END CRASH ORIGIN


 


 

 

 

 

 

 

 

 

 

 

 

 

 

 

the saga continues

 

textadventure.stanleylieber.com


 


 

 

 

 

 

 

 

 

 

 

 

 

 

 

about the author

 

Stanley Lieber has started a new novel.

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